Sunday Scribble #8: Enough with the prettiness, give us good food Joburg

The true cost of aesthetically pleasing establishments is our tastebuds.

Eating out in Johannesburg is often a 50/50 risk, which will still cost you an arm and a leg whether you are satiated or not. One thing about this city, is it’s ability to use its beautiful veneer to draw you in. Looking like one thing while being something else, usually something incongruent with what lurks behind the shiny procelin. It’s an art, really, one which I can respect in certain situations. Just not on my plate, please.

The day had started off pretty well, I drank a green juice and a flat white on the mini road trip that was my drive from Pretoria to Johannesburg. I had timed my drive to our book club meeting really well, and no traffic formed against me prospered. I drove under several purple canopies to boot, thanks to Jacaranda season, all seemed in alignment for more good things to unfold as the afternoon went on. But, “not on my watch”, said the uncooked food in the kitchen at Besos, waiting to ruin my day.

Walking in was an experience, naturally. They created a little walkway filled with greenery, which leads you into the restaurant. It was giving tropical oasis, I didn’t feel like I was in the little shopping complex I parked in just three minutes ago. Inside, the beige, cream, wood and soft lighting of it said, “welcome, relax”. The girls and I were dressed to the nines, ready to sip on some wine and yap about the book of the month.

Not one of us had a meal we could speak kindly of, even though our orders ranged from breakfast meals of eggs, salmon and sourdough, to heavier steak and chicken dishes. I had what they called a Gnocchi stack, which ended up being two very bland crumbed chicken schnitzels with equally unseasoned basil pesto plonked on top. Oh nkosi yam. I force-fed myself at least half of it before calling it. The best thing I ended up having was the Springfield wine we shared, a difficult one to mess up. The very average experience our palates then saw us swiftly settle our bill and head elsewhere for cake and coffee to wash down, or rather wash away our lunch.

Unfortunately, this is an all too familiar experience in Joburg: well-curated, photo-ready spaces and overpriced, basic food we all could have made at home. I say overpriced because I can’t tell you the last time I had a main meal that was under R200. It’s easier to swallow the pricetag when the food is worth it, but when it isn’t, oh, the penny pincher in me comes out. Which is why I have now come to adopt a system that distrusts any posts speaking of “new hidden gems” and simply frequenting tried and tested staples in the city.

The underwhelming encounter reminded me of a music event I really enjoy but have had to boycott for the past two years because they insist on hosting it at a restaurant (if we can call it that) infamous for terrible service and even worse food. This can’t be life. Only patronising vetted establishments and eating the same, safe meals over and over again as a trauma response to beautiful spaces masking bad food. Give us, us food Joburg.

Best bits: Journey Kwantu by Vusumzi Ngxande

Finished reading this about a week ago, but the lessons and revelations have stayed with me, interrupting my train of thought several times a day, in an effort to grapple with its many inconvenient and reality-shifting truths. 

It’s an essential read which uses the author’s personal journey with African spirituality to tell a nuanced and well researched story that contends with mythology, history and anthropology. In so doing, it presents possibilities that challenge readers’ perceptions and beliefs. 

There are many things I am still in disbelief over, like cows being one of the reasons matriarchies came to an end on the continent; cotton being one of the true assimilatory tools of colonialism and the knowledge of family lineages being lost to the (in)convenient surname system. I am forever indebted to the author for this expansive work. 

I know I will have to revisit it and look forward to that occasion. Listening to the podcast series the book is based on is my next mission, and from the snippets I have heard so far, I am in for a treat.

Sunday Scribble #7: Nothing even matters at all

When the news broke that D’Angelo had passed earlier this week, one of the first reactions I came across online read: Mind you, I thought I would’ve had a first dance to “Nothing Even Matters” by now! (a post by @yasistatorrian). To which I replied, “Oh girl, same”. The deluge of grief and love for D’Angelo that filled my timeline and inboxes this week has felt like a communal catharsis. The sadness of the loss was overridden by the reminder of his deep love of self and the other.

Like millions across the world, my first encounter with D’Angelo and his work, was through Untitled (How Does it Feel). I was very young, too young to understand the lyrics, but seeing the music video on a late-night music show on SABC 1 stayed etched in my mind. Some months later, a performance of “Send it On” and “Sex Machine” with Tom Jones on VH1, prompted me to rip the below poster from the middle of a magazine, risking judgment from my Catholic parents, sticking it front and centre on my candy white bedroom wall. At just 9, turning 10, I still didn’t grasp what the man was saying, but my ears and eyes were in agreement about his sonorous and physical beauty.

So taken was I, that I even took a photo with my film camera of said poster. Unironically sandwiched between photos of my first holy communion, which took place in the same year Voodoo was released.

The music itself was dripfed to me in the years that followed during our weekly Saturday morning and afternoon spring cleans. My brother hogged the CD player, blasting Brown Sugar and Voodoo back to back. The VH1 live performance would also join the loop, it had been recorded via our VHS machine. We actually watched a lot of live music that way, as a family over the years, now that I recall. It was only when I got my own CD player in high school, that I could start listening to and reading through lyrics on the album sleeve of Voodoo that I began to hear beyond the melodies I had grown an affinity for over the years. Finally, stretching my understanding past just “di D’Angelo” (the South African reference for his undeniable Adonis belt), into the depths of his music. For the first time, I heard what yearning sounded like from the mouth of a black man and not the page of a Jane Austen novel. I heard what sounded like the celebration and reverence of black love, a welcome intervention for a black girl who was one of only 6 in her grade, listening to Avril Lavigne and reading Saltwater Girl (quite seriously at that).

“[He] made a kind of sound that made a house for black folks to live in. Under the sound of D’Angelo’s music, our bodies would wake up to who we have been… He made the ancestral close and intimate and sexy.”

Michael J. Ivory, Jr.

By the time the masterpiece that is Black Messiah came out, I was a long-skirt-All-Star-wearing-Africa-tattooed-dreadlocked-girl, in no need of saving. When it came out, I promptly bought two CD’s, one for myself and one for my brother, so we would need not fight for or ration out our repeated listenings. Three short months after it came out, Kendrick Lamar’s To Pimp a Butterfly came out, and that perfect pairing of love, politics, history and torment would be the soundtrack to my long car rides between Johannesburg and Pretoria that year.

We are bereft but blessed to have lived in the same time as him, to still have access to his work and thus pieces of his heart and mind.

Best bits: little gods by Meng Jin

This might be my favourite read of the year.

It is the kind of novel that doesn’t let up from the moment you start. Every sentence dripping with intellect, emotion and beautiful imagery. Jin is such an incredible writer and world builder, thoroughly enjoyed my time with her complex and complicated characters.

I would describe little gods as historical fiction that is a clever marriage of science and spirituality. The characters are frustrating yet inspiring and force you to constantly question who you are rooting for. Even the most minor characters we only engage with over a few passages are written in such great detail that an affinity is immediately fostered.

There were so many sentences that took my breath away, I cannot wait to find and read more of Jin’s work.