Spent a week and a half doing a photojournalism course. We shot a lot of things during that time, practicals are the best way to learn I rate.
Here are a few of my faves from some of those lessons:
Teaser: Photojourn prac
Had my first shoot on Friday for one of my assignments for photojournalism.
It was really fun and have put up a few images that I liked in my personal capacity on my photo blog: therebble.tumblr.com. Below are two teasers, follow the blog link or more 🙂
I’m going to be a writer
“I know I’m going to be a writer one day. I don’t think it in my brain but I know it in my heart,” I have not been able to look back since I read this Chris Van Wyk quote three years ago. It provided me with the resolve to do exactly what I’m doing in my life right now.
This past weekend a colleague and I went to the 2013 Mail & Guardian Literary Festival, to bask in the presence of some of South Africa’s literary giants.
The Market Theatre was the historically apt venue picked to host the festival. Couches in the middle of a black stage in the main theatre providing the speakers with their literal platform.
We sat in one session after another, furiously typing out tweets, scribbling notes and snapping photos. Between all of this we had to process what was being discussed on the various panels. All of which were interesting and engaging in their own ways.
One recurring statement made by writers like Nadine Gordimer and Craig Higginson, was that writing is a calling of sorts. One doesn’t write because they want to but because they have to. Craig went on to say that it simply isn’t worth the pain and effort otherwise.
I want to be like them
I was lucky to sit in on a panel discussion with a theme of ‘fact and fiction’ luckier still to listen to the first panel of women only, all of whom are first time published authors.
I have ambitions of being in their shoes one day. I’m doing journalism in a mission to be on the right side of history and because I really do enjoy writing. I want to be a journalist because I imagined at some point when I am too old or too tired of being on the field, I would magically turn into a writer. Well not magically but all that training will come in handy.
Anyway long story short, becoming a writer is the end goal.
So this panel discussion provided enough information for me to be inspired to keep on keeping on where this dream is concerned.
Journalism and writing
Claire Robertson provided some insight on how she managed to use her experience as a journalist to help her write her book, The Spiral House.
She said that she tried to avoid writing about her personal life, because in journalism reporting on oneself just isn’t done. “I’m not brave enough to write too intimately about my life,” confessed Claire. Clearly I have no such inhibitions, one browse on my tumblr blog is evidence of this.
However, she did insert herself in the places were she deemed it necessary because it was unavoidable. Her background helped her to write much faster than some of the other women on the panel, in this moment she was thankful for the demanding deadlines.
Fact versus fiction
A little fact, mixed with some fiction or do you have to one or the other. Author, Dominique Botha said the truth is incredibly hard and can never really be 100% in that regard. This makes for a problematic relationship between memoir and fiction she added.
“To retrieve memory is the first act of fiction,” she said. Botha added that memory relies on the act of imagination, in an effort to illustrate that memory is compromised and can’t be considered as 100% accurate.
Carol-Ann Davids, author of The Blacks of Cape Town said that one needs a little bit of both (fact and fiction) to tell a story.
Storytelling
The women on the panel emphasised that what they were doing was telling stories. Claire went as far as to say being a good writer is not enough, one has to be a good storyteller to write something of substance.
Maren Bodenstein , said that by way of storytelling and using details you can get a little closer to the ‘truth’ Dominique said was illusory. She said that this was the magic of, “dealing with the theory of literature”.
When asked by chair, Craig how they all managed to write such mature and deep books on their first try, the women unanimously agreed that they got to that point through enduring a lot of rejection and humiliation. “After chipping away at yourself you have no option but to write from your gut,” added Dominique.
The discussion then opened up to the floor in which time questions about getting published and being mothers were asked. Basically it difficult, it’s difficult to get published – to get someone to believe in your story. On being a mother while writing her first book, Carol-Ann said it was challenging but not impossible.
I learnt a thing or two about the journey I am yet to travel and was encouraged to press on.
Related articles
- Johannesburg: The migrant city that is anti-migrants (thejourneytoadream.wordpress.com)
- Nadine Gordimer helped me see how fiction writing can illuminate reality | Aminatta Forna (theguardian.com)
BREAKING: Third “sex pest” sacked
By Nokuthula Manyathi and Pheladi Sethusa
Prof Rupert Taylor has become the third Wits lecturer to be fired following a university investigation into allegations of sexual harassment.
Political studies department head Prof Daryl Glaser confirmed to Wits Vuvuzela that Taylor, formerly a senior lecturer, has been dismissed after a four-month inquiry.
“I am relieved that the process has come to a conclusion,” said Glaser.
Glaser said he had just been told of Taylor’s dismissal on Thursday afternoon. He said would comment further when he had more information.
Taylor was forced to step down as head of the political studies department last year following a report in Wits Vuvuzela of sexual harassment allegations made against him by students.
In March of this year, Taylor was put on special leave and made to leave university premises.
Taylor had denied the allegations at the time, telling Wits Vuvuzela: “I am deeply upset and concerned about the damaging allegations that have been published against me.”
Taylor is the third lecturer to be dismissed after allegations of sexual harassment were lodged against him. Former head of the media studies department Dr Last Moyo and former senior drama lecturer Tsepo wa Mamatu were fired in August following investigations.
In a statement regarding the most recent dismissal, Vice Chancellor Prof Adam Habib said the university had adopted a “zero tolerance” policy towards sexual harassment.
“We hope that the swift action taken by the university in these three cases, sets a clear example that sexual harassment will not be tolerated in any form on our campuses,” Habib said. Wits Vuvuzela has so far been unable to contact Taylor for comment on his dismissal.
RELATED ARTICLES:
- Wits Vuvuzela: Wits sexual harassment inquiry complete. September 4, 2013
- Wits Vuvuzela: Dismissed “sex pests” speak: Dr Last Moyo and Tsepo wa Mamatu react to their sackings. August 2, 2013.
- Wits Vuvuzela: BREAKING: Fired sex pests named. July 31, 2013.
- Wits Vuvuzela: Sex accused kicked off campus. April 19, 2013
Wits sexual harassment inquiry complete
By Caro Malherbe and Shandukani Mulaudzi
Wits has pledged to undertake a multidimensional approach to issues of sexual harassment on campus by formulating a special task team initiated by the vice chancellor’s office. These measures and others were announced today at a press conference called to make the findings of an independent inquiry into issues of sexual harassment at Wits University.
Vice chancellor Prof Adam Habib said he takes full responsibility for the abuses that happened at Wits and that the report highlights the failure of the university’s system to address rumours and allegations decisively.
Habib added that the university welcomes the recommendations and will form a Senior Executive Team to start a plan of action on how the issue of sexual harassment will be dealt with, in line with the culture of the institution.
Special Task Team
The special task team will originate from the VC’s office and comprise various experts from within the university including gender specialists, the transformation office, sexual harassment advisors, legal expertise and student representatives.
Habib said student representatives will not be solely from the SRC but from various sectors of the student body.
Difficulties of investigation
Prof Bonita Meyersfeld, the director of the Centre of Applied Legal Studies at Wits was part of the team who compiled the report together with lawyers from law firm Norton Rose. She said this was one of the most difficult inquiries to undertake.
“The inquiry was one of the most difficult tasks for the whole team to undertake because we were dealing with our own university. But it was important and totally worth it.”
Meyersfeld said students and members of staff were initially reluctant to speak to them but in the last two months of the inquiry they were more willing to come forward.
“The emotion involved in both students and staff alike is evident throughout the university and administration. Students felt they were not listened to and not taken seriously.”
Meyersfeld said the students were also worried about following the legal process as they were worried about being re-traumatised by speaking to various entities about the same incident.
Members of staff, although they shared the same sentiments also worried about the threat posed to their careers if they came forward.
Continuing investigation
Two cases have already been dealt with and the accused persons have been dismissed. Habib said there are two other cases that are on-going.
“Two have been dismissed and another who began investigations will hopefully be released to me tomorrow. The fourth is yet to begin.”
The on-going investigation is that of Prof Rupert Taylor, while the one that has not yet begun is that of Dr Lord Mawuko. This was confirmed by a reliable source who did not want to be named.
Meyersfeld said while there were other perpetrators discovered during the inquiry. However cases were dealt with on a confidential basis and unless students asked for their accusations to be pursued, they were not.
Habib added: “We pursued various other avenues to get to the bottom of it [new cases]. But in those instances our findings yielded no further investigation.”
Habib thanked the media for blowing the whistle on issues of sexual harassment as this forced the university to take immediate action.
RELATED STORIES:
- Wits Vuvuzela: WITH INFOGRAPHIC: Wits withholds sex pests’ report, 12 August 2013.
- Wits Vuvuzela: Dismissed “sex pests” speak: Dr Last Moyo and Tsepo wa Mamatu react to their sackings, 2 August 2013.
- Wits Vuvuzela: BREAKING: Fired sex pests named, 31 July 2013.
Johannesburg: The migrant city that is anti-migrants
Gallery by Mfuneko Toyana
The Market Theatre’s main stage was the platform where six diverse minds gathered to discuss migration, a topic central to all of their individual work.
The last day and the last panel discussion of the Mail & Guardian Literary Festival helped to make audience members and authors alike reflect on the movement of people in and out of cities and countries.
The poor accommodating the poor
Wandile Zwane from the City of Johannesburg’s Migrant Helpdesk, used an interesting anecdote from a conversation he had had with a woman, illustrating a point made earlier about migration being a situation where the poor are accommodating the poor.
The woman talked about the hierarchy that existed when it came to where one slept in her house. As a young child one was in the main bedroom, the older one got you would move to the dining room and the kitchen to make space for the younger ones. Eventually one would land up in the outside room and from there move on to their own house with a spouse.
Unfortunately her marriage had not worked out so she had to move back to the outside room with her kids, but because there was an immigrant living in that room she had to go back to the kitchen. The story points to one explanation of the animosity that exists around migration in South Africa.
Migration
Chinua Achebe’s book ‘There was a Country’ was the theme around which the conversation around which migration had to bend itself.
The panel consisted of writers who had threaded together stories and books, all zooming in on migration and themes central to resettlement. The panel discussion was largely based on the different writers’ works and their experiences of bridging political and personal narratives in their storytelling.
A young writer making waves in the literary world, NoViolet Bulawayo, said emergent personal narratives are based on political events, and that it was not possible to separate the two in one’s writing.
While the works of the six on stage were central to the discussion, engagement with audience members opened up the dialogue and brought up issues that were left out in the initial conversation.
Photographer and self-proclaimed book lover, Victor Dlamini (@victordlamini) made a poignant point from the floor, which steered the conversation to a meaningful point. He commented on people who are migrants themselves taking issue with people who migrate. He used Johannesburg as an example, saying most people who are in this city are not even from this city. “Johannesburg is a migrant city,” he added.
Panelist and writer, Achmat Dangor responded by saying that he agreed with Dlamini and pinned negative attitudes around migration on mechanisms of ‘othering’. He added that people migrate to places with a gravitational pull because of new ideas in that specific place. This is always the case with ‘big cities’, the activity and promise of economic emancipation lure people in, be it across borders or provincial lines.
Caroline Wanjiku Kihato, author of The Bookseller of Kibera, added to Dangor’s response, saying that human beings had a tendency of finding one another’s differences and using them to oppress one another.
Another audience member asked why was it that only Africans were considered immigrants. He did not understand why the Chinese and Europeans who come to this country were not treated with the same hostility that “our brothers” were.
In response Kwanele Sosibo (@KwaneleSosibo), journalist at the Mail & Guardian, simply said “we do it to ourselves”. He went on to narrate an anecdote about how people in an Eastern Cape community believe in measuring people according to certain pedigrees. Mining house recruiters divided them up according to body size, using pedigree determine who’d make best workers, exemplary of systematic ‘othering’.
Writing Invisibility
The Writing Invisibility e-book was launched. Some of the writers on the panel were contributors in the book which was a project done in collaboration with the Wits African Centre for Migration & Society.
The book is available for free download here.
RELATED ARTICLES:
- Wits Vuvuzela. The great South African novel? Septemeber 1, 2013
Related articles
- Migrants decry South African police brutality (worldbulletin.net)
Snap of the week
This was taken during one of our practical lessons. If I remember correctly this lesson was on lighting and exposure in open shade. I came out alright.
First day of photojourn
Today was our first full day of photojournalism with lecturer TJ Lemon.
Am bushed but I learnt quite a bit, just wish my Ruby was here 
Took these two photo’s as test shots when we were packing up in the morning.
WITH GALLERY: The 1913 Land Act realised through photos
A crowd of eager art lovers could not resist the magnetism of the historical photographic archive dating back to the 1800′s and commemorating the 1913 Land Act.
The exhibition Umhlaba 1913-2013: Commemorating the 1913 Land Act opened this week at the Gertrude Posel Core Gallery in the Wits Art Museum.
1913 Land Act
This year marks 100 years since the 1913 Land Act was passed. The act helped to successfully disenfranchise indigenous South African’s in terms of land ownership and its repercussions are still felt today.
Curator of the Umhlaba Exhibiton, Bongi Dhlomo-Matloa said that the exhibition’s purpose was to help people remember their history. “Commemoration is a relative term here, we are remembering this act that left blacks with only 7% of the land,” she said.
Dhlomo-Matloa coincidentally wore a black and white ensemble matching the monochromatic nature of most of the photographs on display. She said it was merely a coincidence but nonetheless she carried the colours of our history around her neck and on her shoulders.
Remembering history
Next to the exhibition’s entrance was a plaque detailing the aims, limitations and history behind the curation. “No single photographic exhibition could illustrate the full diversity of our complex realities,” but this by no means, kept the artist/photographer from making an attempt to illustrate those complex realities.
This history could not only be seen, but was also heard as jazz, afro-soul and choral music ushered people up the ramp and along the walls of the gallery. It was quite jarring to hear the juxtaposition between Miriam Makeba’s voice sing Gauteng and then immediately after, a choir sing Die Stem, while standing at the wall with all the apartheid-era photography on it.
Photographic reality
Dlomo-Matloa went on to say that these photos were used as they “are very exact” and can therefore accurately depict the reality they captured. The first colour picture seen in the gallery was on the apartheid wall, a photograph by David Goldblatt. It was taken in 1987 at a resettlement camp in the Wittlesea district of the then Ciskei.
Fourth year photography student Melissa Bennett, said she loved how the photos told a story of overcoming boundaries. She was also particularly intrigued by the way the photos had been arranged according to a historical timeline.
Dhlomo-Matloa said that the exhibition was displayed in chronological sequence laid out in a timeline to reflect how things and people changed as time went on. Although a huge amount of images were available, budget and space constraints restricted how many photographs could be exhibited.
The photography on display showcases some of the most talented photographers in the country, like Peter Magubane, Paul Weinburg and Ingrid Hudson.
After a walk about the whole gallery, the reality of our history was more than apparent. The exhibition will be on display until January 2014.
Watch the video below in which curator Dhlomo-Matloa talks about the exhibition:
Best reads
Last week saw us delivering another 12 pager, how we did is beyond me, but anyway here goes:
- The spook wrote my matric by Nolwazi Mjwara and Mia Swart. I wish someone would have written my exams for me, I might have done better at maths #jokingnotjoking
- A snip in the bush vs a scalpel in the bed by Shandukani Mulaudzi. The headline alone makes this a best read. It’s a story that looks at traditional circumcision and it’s seemingly unwavering popularity.
- Albert goes to Paris by Leigh-ann Carey. I love this story, this dude is a champ!
- SRC campaigns at a glance by Mfuneko Toyana and Emelia Motsai. Great way to let people know what the differing parties are all about, to help them make informed decisions as we vote for a new SRC this week.
Write. Snap. Click. 