Tag: ShortStraw

Cool Kid on Campus: Tom Revington

Pheladi SethusaLeave a comment
LOL: Thomas Revington laughs as he tells Wits Vuvuzela more about himself. Photo: Shandukani Mulaudzi
LOL: Thomas Revington laughs as he tells Wits Vuvuzela more about himself. Photo: Shandukani Mulaudzi

Thomas “Tom” Revington is a long-haired indie kid, who is a student by day and a rock star by night.

The fourth year film student is the guitarist and ukulele player in indie-bele band Shortstraw. His other talents include beat boxing and playing on an electric drum kit.

He lives in a commune in Emmarentia with other musicians, which allows him to jam whenever the urge arises.

Why did you choose to study film?

‘Cause it’s cool. No I’m joking. I wanted to do architecture, but apparently my maths marks weren’t good enough so film was the next best thing. Glad I did though, I get to experience life in its entirety and love the creative process and being able to produce a product at the end.

How did you get involved with the band Shortstraw?

I used to be in a band called The Uncut, but that ended. I just posted a Facebook status saying that I was bored and wanted to jam with people looking for a guitarist.

Jason Heartman, the band’s ex-guitarist, saw it and let the guys know and, yeah, two and a half years later, I’m still the guitarist.

 You just went to Oppikoppi with the band. How was that?

It was awesome, dusty and crazy, but I managed to survive it. I particularly enjoyed the performances byManchester Orchestraand Matthew Mole. He’s a buddy of ours. Also our show was crazy cool, just an amazing experience.

How do you juggle being in a band and being a full-time student? 

Yo, it’s hard hey. I do that and I have to work to pay for rent and stuff. Last year my first day of exams coincided with the band’s first day of tour, so I had to fly back and forth a lot and did a lot of studying on planes.

But everything works out somehow.

Are girls very forthcoming with their advance because you’re in a band?

Ha ha ja, but I‘m just not that kind of guy. I have signed a boob though. There’s a lot of temptation I suppose, but I am single and I’m just really awkward anyway. My awkwardness generally just puts girls off.

What are some of your favourite spots in Braamfontein?

There’s so many, I like Great Dane, Kitcheners, Father Coffee – actually just everything on Juta. The urban renovation is awesome, I hope it keeps growing so everyone can come party in the city.

RELATED ARTICLES: 

Same music, different people

Pheladi Sethusa1 Comment

By Pheladi Sethusa and Shandukani Mulaudzi

Pulling the short straw is something that happens a few times in your life. Sometimes you may be lucky and you won’t, this is life.

Screenshot_2013-08-10-12-10-21-1 ShortStraw

For the five man band ShortStraw, it was about the beginning of their career. They started out playing for no one then moved on to crowds of about 40 and now, they have two shows on the best Oppikoppi stages.

In an interview with the band, we told them ofour sad racist encounter the night before.

“That’s fucking bullshit. It’s fucking 2013 you can only laugh at people who still think that way,” said Russel, bass player for ShortStraw.

Russel told Wits Vuvuzela that one of the first black bands to play at Oppi was Kwani Experience and that was what sparked a cultural change at Oppi.

“Black bands used to be apprehensive. But once they played and were received well they changed their minds about the fest.”

Tom added that music is an experience for everyone and something that should bring all people together.

After pulling the short straw on day one, we were on a mission to find some diversity at Oppikoppi.

Traditional music moves

FIRST OPPI: Bongeziwe Mabandla plays his first set at the festival. Photo: Pheladi Sethusa
FIRST OPPI: Bongeziwe Mabandla plays his first set at the festival. Photo: Pheladi Sethusa

The Ray-Ban stage, where the incident happened the night before was where we found a new enlightening Oppi experience.

The act was, Bongeziwe Mabandla, who enchanted the crowd with his sweet traditional melodies in isiXhosa. His sound was one we cannot put our finger on but it made us feel like we were watching a male Thandiswa Mazwai.

The crowd, representative of South Africa’s overrated rainbow nation, more than half of whom did not understand the lyrics, stood and danced along with him.

People lost their minds when he jumped off the stage into the crowd and beckoned him to jump onto the table, which he did without protest.

AO JIKA: Mi Casa’s frontman, J Something setting the stage alight. Photo: Pheladi Sethusa
AO JIKA: Mi Casa’s frontman, J Something setting the stage alight. Photo: Pheladi Sethusa

 Oppi’s cultural shift

Bittereinder, who are veterans to Oppi said the festival has gotten bigger and better with more variety in music than ever before.

Jaco van der Merwe, rapper in three man band used the Vusi Mahlasela tribute last year as an example of Oppi’s diversity.

“Mi Casa is a great example of diversity, it’s just beautiful. They also have random black people at our show, who have no idea what we are saying, but they jam anyway,” Jaco chuckled.

Later that evening we jammed to crowd favourites Zakes Bantwiniand MiCasa. At these performances, the crowds were just as diverse and responsive. As J’Something asked us to jika, we turned and saw different people jika along with him.

Related articles