Cool Kid on Campus: Tom Revington

LOL: Thomas Revington laughs as he tells Wits Vuvuzela more about himself. Photo: Shandukani Mulaudzi
LOL: Thomas Revington laughs as he tells Wits Vuvuzela more about himself. Photo: Shandukani Mulaudzi

Thomas “Tom” Revington is a long-haired indie kid, who is a student by day and a rock star by night.

The fourth year film student is the guitarist and ukulele player in indie-bele band Shortstraw. His other talents include beat boxing and playing on an electric drum kit.

He lives in a commune in Emmarentia with other musicians, which allows him to jam whenever the urge arises.

Why did you choose to study film?

‘Cause it’s cool. No I’m joking. I wanted to do architecture, but apparently my maths marks weren’t good enough so film was the next best thing. Glad I did though, I get to experience life in its entirety and love the creative process and being able to produce a product at the end.

How did you get involved with the band Shortstraw?

I used to be in a band called The Uncut, but that ended. I just posted a Facebook status saying that I was bored and wanted to jam with people looking for a guitarist.

Jason Heartman, the band’s ex-guitarist, saw it and let the guys know and, yeah, two and a half years later, I’m still the guitarist.

 You just went to Oppikoppi with the band. How was that?

It was awesome, dusty and crazy, but I managed to survive it. I particularly enjoyed the performances byManchester Orchestraand Matthew Mole. He’s a buddy of ours. Also our show was crazy cool, just an amazing experience.

How do you juggle being in a band and being a full-time student? 

Yo, it’s hard hey. I do that and I have to work to pay for rent and stuff. Last year my first day of exams coincided with the band’s first day of tour, so I had to fly back and forth a lot and did a lot of studying on planes.

But everything works out somehow.

Are girls very forthcoming with their advance because you’re in a band?

Ha ha ja, but I‘m just not that kind of guy. I have signed a boob though. There’s a lot of temptation I suppose, but I am single and I’m just really awkward anyway. My awkwardness generally just puts girls off.

What are some of your favourite spots in Braamfontein?

There’s so many, I like Great DaneKitchenersFather Coffee – actually just everything on Juta. The urban renovation is awesome, I hope it keeps growing so everyone can come party in the city.

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“Special” leave?

THE DEAN of students, Prem Coopoo, has been  on special leave for the past two weeks, since August 2, with little clarity on when she will return.

Wits spokesperson Shirona Patel told Wits Vuvuzela that Coopoo had been placed on special leave pending an investigation.

Elaine Milton, head of employee relations at Wits, said the reasons behind Coopoo’s absence are “personal and private” and she could not comment on them.

Wits Vuvuzela tried numerous times to get in touch with Coopoo and other members in management for more information but to no avail.

Head of Residence Life Rob Sharman has been named acting dean of students while Coopoo is on special leave.

According to the university’s website, the office of the dean of students facilitates student life and the academic life of students. It also assists with programmes and services to students.

The dean of students also provides “the strategic direction and co-ordination of all student affairs operations” and sets “clear and specific expectations for staff involvement in facilitating students’ experiences”.

Best reads

Last week I was the editor of the paper, proud to say these were my best reads:

  • Wits staff ‘rural farm workers’ by Thuletho Zwane. A great article that exposes an outsourcing company which used dodge classification of workers to pay them less. It is disgusting that this kind of thing is still going on in this day and age.
  •  Rumble in the tunnel by Caro Malherbe. A story about the supposed improper conduct by the PYA last week. Points to some of the tactics being used ahead of SRC elections.
  • Women’s team won’t whimper by Mfuneko Toyana. A story on women’s football at Wits, it highlights the big difference in attention and resources provided to teams based on gender.
  • Oppikoppi photo spread by myself, Shandukani Mulaudzi and Caro Malherbe.

EDITORIAL: The real is on the rise

Last week we took a decision to change the colour of our masthead to a bright pink. This was done to celebrate Women’s Day. Just a small token on our part.

The public holiday was spent with some people attending high teas, getting breakfast in bed or perhaps a bunch of flowers. For Team Vuvu, however, it was spent in the Limpopo heat, deciding which band to listen to.

Oppi

The only signs of Women’s Day at this year’s Oppikoppi Bewilderbeast festival were in the random shout-outs by artists and bands on stage.

Maybe the signs were all around us: women were drinking their livers dead, laden with dirt and screaming their lungs out, with no visible judgment against them. We saw a beautiful lesbian couple wrapped in each other’s arms, listening to Bongeziwe Mabandla’s set on the top of a hill.

They epitomised some of the freedom women enjoy today.

The Wits Vuvuzela team exercised their own kind of freedom. We pitched our tent where we wanted, showered when we could and got to pick and choose from some of the best performers the festival has ever seen.

The experience was soured by a minor racist incident, something we had been waiting for. What we hadn’t anticipated was that it would come from a tiny hipster-looking girl. Looks can be deceiving like that.

Oppikoppi has a reputation for being an Afrikaans rock festival, but that in no way describes the entire festival. The programme was defined by diversity.

We watched a set done entirely in isiXhosa, swayed to the “indie-bele” sounds of ShortStraw and danced like we were on Jika Majika when Mi Casa and Zakes Bantwini performed. We didn’t even get to attend half the things on offer.

We left on a high note, having experienced something new and survived the wilderness.

Back to reality

On the way back, reality sent shivers down our spines when we drove past a sign marking the entrance to Marikana. Today marks the one-year anniversary of what is now called theMarikana massacre, in which 34 families lost fathers, brothers, sons and husbands.

Under apartheid, we had a police force that we believe was put in place to drive fear into the hearts of people. Post-1994, we expected a police service that would serve and protect its people. On August 16 2012, we started to question whether we don’t perhaps have a police force instead of a police service.

Driving past the place where so much blood was split and where people are still being killed brought us back to the “real” South Africa. The one beyond the 20 000 people choosing to slum it for the experience, and pretending to get along despite the drunken slurs.

Best reads

This week’s paper came out a little later than usual, hence that lead to delayed reading of all the copy.

But now that I have, here are this week’s best reads:

  • Cheers, I’ll drink to that by Liesl Frankson. This was one of the first ‘fun’ front page stories we have had all year. It was a refreshing read and I’m glad it got to go on the front page. Also love the picture that went with it.
  • Transie Missions by many (lol). This was a collaborative photo spread done by a few of us in the newsroom. I love any and all photo spreads that go in the paper because I’m down with photos like that :p
  • The power of woman by Prelene Singh. This piece spoke to the other side of the Vavi scandal. Probably an unpopular debate to have with it being women’s month but an important one I rate.
  • Supreme Failure by Emelia Mostai and Shandukani Mulaudzi. This breaking news story looks at a high school across the road from us; parents and students complained about the lack of teaching staff for grade 12 learners. The publishing of the story has led to the Department of Education promising to visit the school tomorrow to assess the situation. The efforts of great journalism.

Same music, different people

By Pheladi Sethusa and Shandukani Mulaudzi

Pulling the short straw is something that happens a few times in your life. Sometimes you may be lucky and you won’t, this is life.

Screenshot_2013-08-10-12-10-21-1 ShortStraw

For the five man band ShortStraw, it was about the beginning of their career. They started out playing for no one then moved on to crowds of about 40 and now, they have two shows on the best Oppikoppi stages.

In an interview with the band, we told them ofour sad racist encounter the night before.

“That’s fucking bullshit. It’s fucking 2013 you can only laugh at people who still think that way,” said Russel, bass player for ShortStraw.

Russel told Wits Vuvuzela that one of the first black bands to play at Oppi was Kwani Experience and that was what sparked a cultural change at Oppi.

“Black bands used to be apprehensive. But once they played and were received well they changed their minds about the fest.”

Tom added that music is an experience for everyone and something that should bring all people together.

After pulling the short straw on day one, we were on a mission to find some diversity at Oppikoppi.

Traditional music moves

FIRST OPPI: Bongeziwe Mabandla plays his first set at the festival. Photo: Pheladi Sethusa
FIRST OPPI: Bongeziwe Mabandla plays his first set at the festival. Photo: Pheladi Sethusa

The Ray-Ban stage, where the incident happened the night before was where we found a new enlightening Oppi experience.

The act was, Bongeziwe Mabandla, who enchanted the crowd with his sweet traditional melodies in isiXhosa. His sound was one we cannot put our finger on but it made us feel like we were watching a male Thandiswa Mazwai.

The crowd, representative of South Africa’s overrated rainbow nation, more than half of whom did not understand the lyrics, stood and danced along with him.

People lost their minds when he jumped off the stage into the crowd and beckoned him to jump onto the table, which he did without protest.

AO JIKA: Mi Casa’s frontman, J Something setting the stage alight. Photo: Pheladi Sethusa
AO JIKA: Mi Casa’s frontman, J Something setting the stage alight. Photo: Pheladi Sethusa

 Oppi’s cultural shift

Bittereinder, who are veterans to Oppi said the festival has gotten bigger and better with more variety in music than ever before.

Jaco van der Merwe, rapper in three man band used the Vusi Mahlasela tribute last year as an example of Oppi’s diversity.

Mi Casa is a great example of diversity, it’s just beautiful. They also have random black people at our show, who have no idea what we are saying, but they jam anyway,” Jaco chuckled.

Later that evening we jammed to crowd favourites Zakes Bantwiniand MiCasa. At these performances, the crowds were just as diverse and responsive. As J’Something asked us to jika, we turned and saw different people jika along with him.

Op pad na Oppi

OPPI PAD: The long and windy road. Photo: Shandukani Mulaudzi
OPPI PAD: The long and windy road. Photo: Shandukani Mulaudzi

By Pheladi Sethusa and Shandukani Mulaudzi

Three camera bags, two spare batteries for each camera, sleeping bags, tent, camp chairs, bags and booze all squeezed into the back of a Polo hatchback.

Even though the day had been coming for a month, two Oppikoppi virgins were scrambling to get their things together at the last minute.

Rosebank Mall was full of people getting last minute supplies, mostly of the liquid variety.

The journey begins

Within the first 30 minutes of the drive, a wrong turn made it clear that it would be a long journey to Northam Farm, Thabazimbi.

The scenic route made up for the potholes and narrow roads which made for a bumpy ride and also provided plenty of photo opportunities.

After two hours of driving a toilet break was needed but no Engen, Shell or Totall garages were in sight – only kilometre after kilometre of dusty road and the odd bush. The only solution to this problem was found inbetween the two car doors of the little Polo.

We’re here!

A wrong turn gone right led directly to the Oppikoppi gates.

ENTER HERE: Oppikoppi 2013. Photo: Shandukani Mulaudzi
ENTER HERE: Oppikoppi 2013. Photo: Shandukani Mulaudzi

Thorn bushes and dust in the air welcomed the first-timers to what would be their home for the next three days. Setting up a tent and easing into the campsite took no longer than 30 minutes.

After settling in, it was time to explore the festival they didn’t know but had heard so much about. Having heard rumours about poor to non-existent sanitation, drunken mosh pits and rampant racism – only first-hand experiences could tell.

Rumours turned true-mours

A performance by band, CrashCarBurn proved the mosh pits true, leaving a rocky taste in our mouths.

A bird’s eye view of the ShortStraw performance from the shoulders of a strong man proved the racism claims.

While many sat on shoulders and waved their hands to the music, it was not a fun experience for one.

As soon as she was lifted to the gracious man’s shoulders, pushing and shoving came from the girls in the front. It could have been a matter of jealousy however, we learned differently.

The guy let our reporter down, and apologised for the failed experience.

His friend, known only to us as Francois, told Wits Vuvuzela journo Caro Malherbe: “I’m sorry. I really would like to talk to them (the black colleagues) but the girls won’t like it. They are of a different race classification.”

With shock and disappointment, the short straw was indeed pulled: by us. We went back to our tents feeling disheartened, but still hopeful.

That hope was quickly snuffed out by comments that came from a neighbouring tent. To our left was a tent with two black men who were very chatty, to our right were two white, Afrikaans men who were also very vocal.

We overheard the white campers saying “Ag, ek gaan nou iemand klap as hulle nie stil bly. Ons sal sommer die nuwe Waterkloof 2 wees”, this was followed by the two men laughing.

That was within a few hours of being on the farm, two more days to go.

Best reads

Decided to start this new little section, to promote what I thought were the best reads from the newspaper.

Obviously none of my work will feature in this section because that’ what the rest of this blog is dedicated to.

I’ll just share some of the best work from #teamvuvu that week and hope others enjoy it as much as I did.  So here goes:

  • Academia lost in translation by Nolwazi Mjwara. Fasctnating piece on monolingualism in South Africa. I felt like I was at the talk and agreed with everything the speaker had to say.
  • A coffee shop that’s stirring things up by Mfuneko Toyana. A write up about HEI Cafe, i may be a little biased considering my vested interests in HEI but regardless it was a well written piece with beautiful imagery.
  • Dismissed “sex pests” speak… by Prelene Singh and Emelia Motsai. Our front page this week, the quotes in this article are priceless. This article also represents something much bigger though. It’s about showing that the collective efforts of our team, the University and the brave girls and boys who came forward have been effective.
  • Habib No money for in-house cleaning by Emelia Mostai. Outsourcing has been and continues to be a serious problem at Wits. Readings
  • I did not report my harasser by Shandukani Mulaudzi. In my humble yet not so humble opinion there has not been one ‘Slice of Life’ written that isn’t compelling. The section lets us truly speak in our voice, Loved that this read like a conversation. Literally though, Shandu and I discussed this matter a few weeks ago and now here it is on paper (well on screen here).
  • Letter to SRC president by Saul Musker. He is not a teamvuvunite but his letter made the opinions section of the paper. Shucks if ever there was a response to an open letter, this was it. I could hardly believe that I was reading the words of a first year. His response was clear and left me with a lot to think about.

Team Vuvu Oppi ball

ALL ROADS lead to Limpopo in August, this time not for Moria celebrations or to return to one’s roots, but rather to rock out at Oppikoppi.

Bewilderbeast

Bewilderbeast is the theme this year and it marks the 19th Oppikoppi festival since its inception in 1994.

Performers set to take the stage and entertain revellers include Mi Casa, Jeremy Loops, Jack Parow and the Deftones.

Two Wits Vuvuzela reporters will be attending Oppi this year and, in preparation for the festivities, they decided to find out how to prepare for their weekend in the bush.

What to expect

Most people approached for advice said to get a reliable tent, warm sleeping bags and a big cooler box to store food and booze.

A veteran who has attended numerous Oppikoppi festivals, Habrey Landman, from the University of Pretoria, told Wits Vuvuzela: “You need to take a boy, to help you make a fire and set up camp. There are no camp areas, it’s just bush.”

She added that hygiene is a major issue and the best way to stay clean is to bring along wet wipes and dry shampoo that can be bought at Clicks.

VoWFM DJ Max Motloung said he had been warned about the funky smelling festival.

“Just know that you guys are not going to bath, hey,” he said.

Motloung added that one should be prepared to wait in hours of traffic when leaving on the last day of the festival.

Landman said festival goers should keep hydrated: “a case of something, a bottle of something and dash” would suffice.

The festival starts next week Thursday, August 8 and runs for three days until Saturday, August 10.

Team Vuvu is ready, all that stands between reporters and bringing the festival to Witsies is a three-hour drive to a farm in Northam.

The Newsroom 7.5

CHEEEESE: Team Vuvu with her royal majesty (well to me), Ferial Haffajee :) Photo: Kenichi Serino
CHEEEESE: Team Vuvu with her royal majesty (well to me), Ferial Haffajee 🙂 Photo: Kenichi Serino

Another Sunday another blog post.

The past two weeks might have been the longest two weeks I’ve ever had in my whole life and the back to back 12 page editions of the Vuvuzela have everything to do with that.

On Monday we had a bit of a false start in the newsroom. Right after our guest lecture the lights decided to go off in our whole building. So we all went off to lunch hoping it would be back by the time we got back – no such luck. Naturally we all buggered off home.  Well not all of us, I went off take photos at a soccer match on campus – which proved to be a colossal waste of my time and space on my memory card… There’s always a next time right?

Things started to look up the following day when we had an awesome guest lecture on feature writing by Aspasia Karras, editor of Marie Claire SA. One of the few magazines I even bother to read anymore. She gave us valuable insights into feature writing and ultimately made the whole process seem rather enjoyable.

The day before Aspasia came in, Nechama Brodie had told us that we are merely “the vessels that the shit flows through”, to emphasise that the feature is never about the writer. But Aspasia told us that for our features to mean something it would have to be about something that matters to us as writers, she encouraged us to write about things we are passionate about. She said we should always ask ‘who the fuck cares’ and if we don’t, then no one else would.

Then on Wednesday we had the best guest speaker ever – Ferial Haffajee. Yes, thee Ferial Haffajee, editor of the City Press. In our very midst. Her lecture was legit the best we’ve had, or let me rather say the best I have had. She started us off with a general knowledge quiz – which made me realise how little I know about what’s going on in the world. We all know a bit of this and a bit of that but it was obvious that things like the economy and finance were not on our radar (something which needs to change). Anyway our lesson with Ferial was constructive and practical.

The rest of the week was spent chasing stories and photos and painfully putting a 12 page paper together. It was much tougher this time round but even so we managed to deliver closer to deadline than the previous week.

Another week of inanity and 5 hour sleeps await, ciao**